An orange rectangle anchors the foreground, its edges beginning to yield — warping where it meets a dark, rounded mass that rises beside it, part cylinder, part boulder, the boundary between the two forms deliberately unresolved. Behind them, a tall light blue monolith stands precise and vertical, its cool geometry a counterpoint to the organic pressure of what leans against it. The ground is deep crimson, the background olive, a hard black shadow cutting across the floor. Where the other pieces in the series hold their forms at a composed distance, this one allows them to touch, merge, and push against each other — stillness giving way to something closer to tension. Part of the Forms series — a collection of geometric abstract prints exploring structure, depth and color relationships through architectural light and form.
Print Specifications
Printed on Cold Press Textured Matte Fine Art Paper — 340gsm, 100% cotton rag, acid-free and archival grade. The lightly textured surface replicates the depth and tactility of traditional watercolor paper, adding material presence to the printed image. Giclée process with pigment-based archival inks ensures exceptional color accuracy, deep blacks, and museum-quality longevity.
Framing
Framed prints are mounted in solid wood frames with optical-grade clear acrylic glazing — ready to hang with wire hardware installed. Available in three finishes: Natural Oak · White · Black Sizes 12×16" · 18×24" · 24×30" · 30×40"
